The Official Website of Percussion Soloist and Drummer Lisa Pegher

Lisa Pegher is an American percussion soloist and drummer whose international career has helped redefine percussion as a solo art form within the orchestral world and beyond. She has dedicated her work to commissioning, premiering, and creating new repertoire that brings percussion to the front of the stage. She has been praised by The New York Times as “tremendous,” by The Boston Globe as “forcefully balletic,” and by The Glass as “more than just a drummer—an alchemist of time, sound, and space.”
 

Featured in Symphony Magazine as one of the top six performers of her generation, Lisa has appeared as a soloist with major orchestras and ensembles across the globe, including the Orchestre Symphonique de Trois-Rivières, Orchestre de Mulhouse, Thailand Philharmonic, Boston Modern Orchestra Project, Reading Symphony, Symphoria, American Symphony Orchestra, NOVUS, Cabrillo Festival Orchestra, Pittsburgh Symphony Orchestra, Puerto Rico Symphony Orchestra, New Jersey Symphony Orchestra, Annapolis Symphony Orchestra, Louisiana Philharmonic, Nu Deco Orchestra, and many others.
 

She has performed concertos and solo works by leading composers including Jennifer Higdon, Joseph Schwantner, Mathew Rosenblum, Tobias Broström, James MacMillan, Kevin Puts, and Derek Bermel. She has collaborated with many of the world’s leading conductors, including Gil Rose, Larry Loh, Daniel Meyer, Timothy Muffitt, Marin Alsop, Mariusz Smolij, Bernhard Rubinstein, Roger Kalia, José-Luis Novo, and Jacomo Bairos.
 

Lisa premiered Circuits and Skins, a percussion–EDM concerto written for her by Paul Dooley and hailed as “a wild throwdown pitting full-tilt rock-and-roll drums against muscle-flexing symphonic fury.” She also premiered Richard Danielpour’s four-movement percussion concerto The Wounded Healer with the New Jersey Symphony Orchestra, where she was described as “an ideal interpreter of the work.” She subsequently toured the concerto throughout the United States, Europe, and Canada. In 2023, she premiered Danielpour’s Tears of an Angel for vibraphone and string orchestra at Schoenberg Hall in Los Angeles.
 

In 2026, BMOP/sound released Celestial Circus: Richard Danielpour’s Complete Percussion Works, recorded with Lisa, the Boston Modern Orchestra Project, and conductor Gil Rose. The album brings together The Wounded Healer, Tears of an Angel, and the title work, Celestial Circus, for two pianos and percussion.
 

In 2024, Lisa performed during the inaugural season of Manhattan’s Perelman Performing Arts Center with NOVUS and gave the New York City premiere of her collaborative production A.I.R.E. with the ICEBERG New Music collective.
 

Beyond her concerto work, Lisa creates original multimedia projects integrating amplified acoustic instruments, electronics, live animation, and software engineering. Her latest production, A.I.R.E. (Artificial Intelligence Rhythm Evolution), features ten commissioned works—including two of her own—and traces percussion’s evolution from its ancient roots to its future alongside computers and artificial intelligence. Her earlier multimedia projects include ImPerFecTion, developed with her Brooklyn-based SideFire Trio, and Minimal Art: Imaginary Windows.
 

A versatile cross-genre drummer, Lisa has performed with numerous indie-rock, avant-jazz, and experimental ensembles. Her recordings for the BMOP/sound label include featured percussion concertos on David Stock’s Concertos, Mathew Rosenblum’s Möbius Loop, Paul Dooley’s Point Blank, and Richard Danielpour’s Celestial Circus.
 

When not performing, Lisa enjoys long-distance running, biking, yoga, and computer programming. She endorses and is supported by Evans Drumheads, Marimba One, Black Swamp Percussion, and Reverie Drums.